CUES
< RFC >
A kind of jargon, cues help crews — random groupations of people — to consolidate an incresingly intricate and effective coordination. While cues effectively are a kind of "people programming", mainline collaborative traditions in every domain are already full of this.
Revisions:
20201018 overview D+L
Ties to:
* 🔗dramaturgy
* #choreography
* 🔗vocab
Table of Contents
¶General
###L: this should be "general legenda / how to read this document"
also say: "each cue will make mention of a spoken and/or a gestural sign"
¶ CALLER → ADDRESSED
###L: in communication sience this is called "sender" and "receiver", might be good to keep up with commonly established terminology
else, I would use "adressee"
CALLER issues a CUE
(usualy by a complete sign: both spoken and gestural)
to the ADDRESSED.
CALLER issues a CUE
(usualy by a complete sign: both spoken and gestural)
to the ADDRESSED.
¶ * "ATTENTION" / "HEY!!!" [shake/wave both hands in front]
###OYE!
Stop current action!
Watch what's next!
Can be urgent!
Stop current action!
Watch what's next!
Can be urgent!
¶ * ... "VORSICHT!" [/]
Ready for something happening & don't do anything strange.
"Flambe fire incoming, don't panic".
"Passing by carrying 50kg, don't make any strange movements".
###Problem: What to do when there's real danger and action is needed ???
Ready for something happening & don't do anything strange.
"Flambe fire incoming, don't panic".
"Passing by carrying 50kg, don't make any strange movements".
¶ * "SHUT UP" [YOUR MOUTH GRABBED]
Used:
* in total emergency !
* when somebody is too fucking øøø loud in a common situation
* immediately all chill - stop talking over !
* etc.
Used:
* in total emergency !
* when somebody is too fucking
* immediately all chill - stop talking over !
* etc.
¶ * "TWO/FOUR" [/]
Two = 2 people grab a textile, one side each, and shake it hanging.
Four = 2 people grab a textile, two sides each, and shake it off.
Two = 2 people grab a textile, one side each, and shake it hanging.
Four = 2 people grab a textile, two sides each, and shake it off.
¶ * "HOLD ROPE" / LEEWAY / SLACK" [/]
Hold the rope in place.
(So a knot can be made in front).
→ "GIVE ME MORE":
Pull to give more slack.
Hold the rope in place.
(So a knot can be made in front).
→ "GIVE ME MORE":
Pull to give more slack.
¶ * "CATCH SWING" [pass throw gesture, both hands?]
For passing (potentially HEAVY) things!
Catch thing on the upswing - before it swings back!
Otherwise, it sucks for both - you get pulled, the person loses front balance, must compensate in back → back pain.
For passing (potentially HEAVY) things!
Catch thing on the upswing - before it swings back!
Otherwise, it sucks for both - you get pulled, the person loses front balance, must compensate in back → back pain.
¶ * "TOWER" [two flat hands down]
Anchor / stand strongly in place:
back leg back, front front, with side in support direction of caller.
For:
* climbing onto something (windows, ledges, ...)
* descending on climbs
Do:
→ ... FORWARD / BACKWARD
→ ... STOP
Do NOT make any extra movements or obscure in any way! You are misbalancing!
Anchor / stand strongly in place:
back leg back, front front, with side in support direction of caller.
For:
* climbing onto something (windows, ledges, ...)
* descending on climbs
Do:
→ ... FORWARD / BACKWARD
→ ... STOP
Do NOT make any extra movements or obscure in any way! You are misbalancing!
¶ * "SHORT INTERRUPTION" [right hand index finger raised]
A short interruption should usually be accepted:
* in debate, it makes no sense to continue a point perceived to have bad subarguments
* (two fingers!) GENERAL INTERRUPTION - "we need to go or we'll miss..."
A short interruption should usually be accepted:
* in debate, it makes no sense to continue a point perceived to have bad subarguments
* (two fingers!) GENERAL INTERRUPTION - "we need to go or we'll miss..."
¶ * "START WRITING" [computer-typing-like fingers]
"Please start writing what I'm about to say."
A: "Start writing"
B: "Yes, i am setting up ... Ready!"
A: /starts dictation/
"Please start writing what I'm about to say."
A: "Start writing"
B: "Yes, i am setting up ... Ready!"
A: /starts dictation/
¶ * "ONE SCREEN" [/]
"Move your laptop and chair here, we will be doing mostly very close work on a single screen."
"Look at my screen!"
"Move your laptop and chair here, we will be doing mostly very close work on a single screen."
"Look at my screen!"
¶ "BACK!" / "FRONT!" (ACTIVE/PASSIVE) [index pointing]
Where specific positions in contained spaces have different access (to storage / utility space).
Used in vans (Trucko), boats, tents, small storage spaces, caves, etc.
Where specific positions in contained spaces have different access (to storage / utility space).
Used in vans (Trucko), boats, tents, small storage spaces, caves, etc.
¶ ("ok"→) "OK WHAT?!" [/]
You just received a Correction but you fucked upøøø your response.
You wronged somebody in a way that was agreed to be done differently before.
Apologize!
###Needs better word cue !!!
Because:
* "apology" is normally tanted with idea of "guilt"
* for better understanding see XXX🔗psycho !
# https://www.seattletimes.com/seattle-news/health/donrsquot-let-guilt-get-in-the-way-of-a-sincere-apology/
You just received a Correction but you fucked up
You wronged somebody in a way that was agreed to be done differently before.
Apologize!
¶ "ATTITUDE!" [/]
You fucked up, you fuckedøøøup the correction, and now you also have an attitude.
Wise up
You fucked up, you fucked
Wise up
¶ * "Let's move! MOVE MOVE MOVE!" [/]
It's time to go!
I've been asking or "HINTING" it for fuckingøøø10 minutes or more:
pack up in 5 minutes
###I know it is possible, we practised!
I will help! move!
go go go go go!
It's time to go!
I've been asking or "HINTING" it for fucking
pack up in 5 minutes
I will help! move!
go go go go go!
¶ "NEW CUE: xxxxxxx" [/]
double fist clap?
So:
* improvising a new cue (definition + execution)
* write it down
The ADDRESSED writes it down + duly informes the CALLER about this process.
So:
* improvising a new cue (definition + execution)
* write it down
The ADDRESSED writes it down + duly informes the CALLER about this process.
¶ "LISTEN"
### for "tight"
#microspeaking
Cue:
"LISTEN"
→ OK
VERB
→ OK
NOUN
→ OK
Example:
LISTEN -- yup -- RECLIP -- okay -- THE RED WATER CLIP -- got it
<------------------- (new) UNSORTED ↑↑↑
#microspeaking
Cue:
"LISTEN"
→ OK
VERB
→ OK
NOUN
→ OK
Example:
LISTEN -- yup -- RECLIP -- okay -- THE RED WATER CLIP -- got it
<------------------- (new) UNSORTED ↑↑↑
¶Alike?
Consult existing systems?
* "social choreography"
* "proxemics"
* "infinity os" ?
* g: "body language"
* https://www.simplybodylanguage.com/ :
found randomly in image search , tocheckout !!!
___________
body-language is culturaly determined
q:
can people do it across culture/race/etc effectively?
probably partialy, maybe "instinctive" (like fear, etc?)
###L: hmm instinct is pretty much "contaminated" by deeply rooted cultural behavior
like the making eye contact (when receiving a correction)
"we" (in cht) expect eye contact as a sign of respect
whereas e.g. in moslim cultures it is perceived as arrogant and brutal
"Children in some Muslim and Asian societies are taught not to stare into the eyes of elders, or authority figures, as it is considered disrespectful or challenging. In Western cultures, this expression of respect may be erroneously interpreted as a sign of guilt."
http://sharonpluralism.org/cultural-protocols/muslim-culture/
* [...]
<-------------------------------- (new) ALIKE ↑
<-------------------------- ((new))
Consult existing systems?
* "social choreography"
* "proxemics"
* "infinity os" ?
* g: "body language"
* https://www.simplybodylanguage.com/ :
found randomly in image search , tocheckout !!!
___________
body-language is culturaly determined
q:
can people do it across culture/race/etc effectively?
probably partialy, maybe "instinctive" (like fear, etc?)
* [...]
<-------------------------------- (new) ALIKE ↑
<-------------------------- ((new))